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At the jazz band ball [[electronic resource] ] : sixty years on the jazz scene / / Nat Hentoff ; foreword by Lewis Porter
| At the jazz band ball [[electronic resource] ] : sixty years on the jazz scene / / Nat Hentoff ; foreword by Lewis Porter |
| Autore | Hentoff Nat |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2010 |
| Descrizione fisica | 1 online resource (267 p.) |
| Disciplina | 781.6509 |
| Soggetto topico |
Music - History and criticism
Jazz - History and criticism |
| Soggetto non controllato |
american music
american society art biographical blues music civil liberties civil rights contrarian duke ellington engaging famous jazz musicians feel good free expression gospel health care interviews jazz band ball jazz critics jazz history jazz lovers jazz music jazz musicians jazz scene louis armstrong musicians nonfiction ornette coleman personal history political activists quincy jones retrospective short essays social justice issues |
| ISBN |
1-282-55613-4
9786612556135 0-520-94588-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. What am I here for? : the rules of my jazz odyssey -- pt. 2. In the presence of Ellington -- pt. 3. Jazz credentials -- pt. 4. The jazz life on and off the road -- pt. 5. Who is a jazz singer? -- pt. 6. The life force of the music -- pt. 7. Finding the first American groove -- pt. 8. Roots -- pt. 9. The survivors -- pt. 10. The regenerators -- pt. 11. The master teachers. |
| Record Nr. | UNINA-9910792599803321 |
Hentoff Nat
|
||
| Berkeley, : University of California Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
At the jazz band ball [[electronic resource] ] : sixty years on the jazz scene / / Nat Hentoff ; foreword by Lewis Porter
| At the jazz band ball [[electronic resource] ] : sixty years on the jazz scene / / Nat Hentoff ; foreword by Lewis Porter |
| Autore | Hentoff Nat |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2010 |
| Descrizione fisica | 1 online resource (267 p.) |
| Disciplina | 781.6509 |
| Soggetto topico |
Music - History and criticism
Jazz - History and criticism |
| Soggetto non controllato |
american music
american society art biographical blues music civil liberties civil rights contrarian duke ellington engaging famous jazz musicians feel good free expression gospel health care interviews jazz band ball jazz critics jazz history jazz lovers jazz music jazz musicians jazz scene louis armstrong musicians nonfiction ornette coleman personal history political activists quincy jones retrospective short essays social justice issues |
| ISBN |
1-282-55613-4
9786612556135 0-520-94588-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. What am I here for? : the rules of my jazz odyssey -- pt. 2. In the presence of Ellington -- pt. 3. Jazz credentials -- pt. 4. The jazz life on and off the road -- pt. 5. Who is a jazz singer? -- pt. 6. The life force of the music -- pt. 7. Finding the first American groove -- pt. 8. Roots -- pt. 9. The survivors -- pt. 10. The regenerators -- pt. 11. The master teachers. |
| Record Nr. | UNINA-9910823596903321 |
|
Hentoff Nat
|
||
| Berkeley, : University of California Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey
| Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey |
| Autore | Terry Clark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina |
788.9/2165092
B |
| Altri autori (Persone) |
TerryGwen
JonesQuincy <1933-> CosbyBill <1937-> DemseyDavid |
| Collana | George Gund Foundation imprint in African American studies |
| Soggetto topico |
Jazz musicians - United States
Trumpet players - United States |
| Soggetto non controllato |
20th century jazz
african american history african american musicians american music billie holiday count basie duke ellington ella fitzgerald grammy lifetime achievement award history of jazz influential african americans influential musicians jazz and blues jazz enthusiasts jazz icons jazz musician biography jazz trumpeter jim crow music during segregation music history music musicians overcoming prejudice overcoming racism quincy jones ray charles southern jazz tonight show trumpet players |
| ISBN |
1-283-27825-1
9786613278258 0-520-94978-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Foreword -- Introduction -- 1. Big Dreams -- 2. First Instruments -- 3. Kicked Out -- 4. The Vashon High Swingsters -- 5. First Road Gig -- 6. Nigga -- 7. Ida Cox -- 8. Stranded -- 9. Lincoln Inn -- 10. On the Road Again -- 11. Tennis Shoe Pimp -- 12. Jailed -- 13. Len Bowden -- 14. Navy Days -- 15. Gray Clouds -- 16. The Big Apple -- 17. George Hudson -- 18. The Club Plantation -- 19. Galloping Dominoes -- 20. Tempting Offers -- 21. Lionel Hampton -- 22. Road Lessons -- 23. Pauline -- 24. Charlie Barnet -- 25. Count Basie -- 26. Big Debt -- 27. Duke Ellington -- 28. Leaving Basie -- 29. The University of Ellingtonia -- 30. Working with Duke -- 31. Duke's Team -- 32. Duke's Management Arts -- 33. Miles and Bird -- 34. Billy Strayhorn -- 35. Endurances -- 36. Flugelhorn -- 37. Europe -- 38. Norman Granz -- 39. Norman's Battles -- 40. Q -- 41. NBC -- 42. Jim and Andy's -- 43. Johnny and Ed -- 44. Mumbles -- 45. First House |
| Record Nr. | UNINA-9910789765803321 |
|
Terry Clark
|
||
| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey
| Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey |
| Autore | Terry Clark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina |
788.9/2165092
B |
| Altri autori (Persone) |
TerryGwen
JonesQuincy <1933-> CosbyBill <1937-> DemseyDavid |
| Collana | George Gund Foundation imprint in African American studies |
| Soggetto topico |
Jazz musicians - United States
Trumpet players - United States |
| Soggetto non controllato |
20th century jazz
african american history african american musicians american music billie holiday count basie duke ellington ella fitzgerald grammy lifetime achievement award history of jazz influential african americans influential musicians jazz and blues jazz enthusiasts jazz icons jazz musician biography jazz trumpeter jim crow music during segregation music history music musicians overcoming prejudice overcoming racism quincy jones ray charles southern jazz tonight show trumpet players |
| ISBN |
1-283-27825-1
9786613278258 0-520-94978-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Foreword -- Introduction -- 1. Big Dreams -- 2. First Instruments -- 3. Kicked Out -- 4. The Vashon High Swingsters -- 5. First Road Gig -- 6. Nigga -- 7. Ida Cox -- 8. Stranded -- 9. Lincoln Inn -- 10. On the Road Again -- 11. Tennis Shoe Pimp -- 12. Jailed -- 13. Len Bowden -- 14. Navy Days -- 15. Gray Clouds -- 16. The Big Apple -- 17. George Hudson -- 18. The Club Plantation -- 19. Galloping Dominoes -- 20. Tempting Offers -- 21. Lionel Hampton -- 22. Road Lessons -- 23. Pauline -- 24. Charlie Barnet -- 25. Count Basie -- 26. Big Debt -- 27. Duke Ellington -- 28. Leaving Basie -- 29. The University of Ellingtonia -- 30. Working with Duke -- 31. Duke's Team -- 32. Duke's Management Arts -- 33. Miles and Bird -- 34. Billy Strayhorn -- 35. Endurances -- 36. Flugelhorn -- 37. Europe -- 38. Norman Granz -- 39. Norman's Battles -- 40. Q -- 41. NBC -- 42. Jim and Andy's -- 43. Johnny and Ed -- 44. Mumbles -- 45. First House |
| Record Nr. | UNINA-9910816374603321 |
|
Terry Clark
|
||
| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digging : the Afro-American soul of American classical music / / Amiri Baraka
| Digging : the Afro-American soul of American classical music / / Amiri Baraka |
| Autore | Baraka Amiri <1934-2014.> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 780.89/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
African Americans - Music - History and criticism
Music - History and criticism African American musicians |
| Soggetto non controllato |
african american culture
african american history african american music alan shorter america popular song american classical music autobiography black aesthetic blues aesthetic bruce springsteen charlie parker duke ellington fred hopkins great american song book jazz criticism jazz music jazz john coltrane jon jang malachi thompson max roach miles davis music musical analysis musicians political commentary political history rhythm social change wynton marsalis |
| ISBN |
1-282-36086-8
9786612360862 0-520-94309-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Digging -- Frontmatter -- MUSIC OF THE AFRICAN DIASPORA -- Contents -- Introduction -- Part One: Essays -- 1. Griot/Djali: Poetry, Music, History, Message -- 2. Miles Later -- 3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture -- 4. Blues People: Looking Both Ways -- 5. Rhythm -- 6. The American Popular Song: "The Great American Song Book" -- 7. Blues Line -- 8. Cosby and the Music -- 9. Nina Returns -- 10. Jazz Criticism and Its Effect on the Music -- 11. Not "the Boss": Bruce Springsteen -- 12. Wynton Marsalis: Black Codes (from the Underground) -- 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture -- 14. Newark's' "Coast" and the Hidden Legacy of Urban Culture -- 15. Black Music as a Force for Social Change -- 16. What You Mean, Du Wop? -- 17. Classical American Music -- 18. Singers and the Music: A Theater Piece -- 19. Newark's Influence on American Music -- 20. Ritual and Performance -- 21. Bopera Theory -- 22. "Jazz and the White Critic": Thirty Years Later -- 23. Random Notes on the Last Decade -- Part Two: Great Musicians -- 24. Panthalassa: Miles Davis -- 25. When Miles Split! -- 26. David Murray, Ming's Samba -- 27. David Murray, Fo Deuk Revue -- 28. David Murray, Addenda to a Concert -- 29. On Reissuing Trane -- 30. John Coltrane: Why His Legacy Continues -- 31. Some Memories of Alan Shorter: Interview with Wayne Shorter -- 32. High Art: Art Tatum -- 33. Max Roach at the Iridium -- 34. Paris Max -- 35. The Great Max Roach -- 36. Billie Holiday -- 37. The High Priest of BeBop -- 38. Eric Dolphy: A Note -- 39. Jackie Mc -- 40. It Ain't about You -- 41. You Ever Hear Albert Ayler? -- 42. Albert's Will -- 43. Sassy Was Definitely Not the Avon Lady -- 44. Fred -- 45. Fred Hopkins's Memorial -- 46. Duke Ellington: The Music's "Great Spirit" -- 47. Duke Was a Very Great Pianist! -- 48. Blind Tom: The Continuity of Americana -- 49. Don Pullen Leaves Us -- 50. Black History Month Rediscovers "the Music" in New York City -- 51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard -- 52. Wonderful Stevie -- 53. Abbey Lincoln -- 54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman -- Part Three: Notes, Reviews, and Observations -- 55. Impulse Sampler, Act on Impulse -- 56. Ralph Peterson -- 57. Andrew Cyrille, Good to Go -- 58. Odean Pope Saxophone Choir, Epitome -- 59. Ravi Coltrane, Moving Pictures -- 60. Donal Fox and David Murray, Ugly Beauty -- 61. Tyrone Jefferson, Connections -- 62. James Moody -- 63. Barry Harris: In the Tradition -- 64. Pharoah Sanders, Shukuru -- 65. Don Pullen-George Adams Quartet, Breakthrough -- 66. Von and Chico Freeman, Freeman and Freeman -- 67. Alan Shorter, Orgasm -- 68. The Work Man: Reggie Workman -- 69. Roscoe Mitchell and the Note Factory -- 70. Jimmy Scott, But Beautiful -- 71. Malachi Thompson, Talking Horns -- 72. The Nexus Orchestra, Seize the Time -- 73. Three Fresh Ticklers -- 74. Rodney Kendrick, Last Chance for Common Sense -- 75. Jazz Times Review, Multiple Artists -- 76. More Young Bloods to the Rescue! -- 77. Vijay Iyer, Memorophilia -- 78. TriFactor, If You Believe -- 79. Live Lessons -- 80. New York Art Quintet -- 81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time -- 82. Jon Jang and David Murray, River of Life -- 83. Trio Three, Encounter -- 84. Jackie Mc-Coming and Going |
| Record Nr. | UNINA-9910778420503321 |
|
Baraka Amiri <1934-2014.>
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digging : the Afro-American soul of American classical music / / Amiri Baraka
| Digging : the Afro-American soul of American classical music / / Amiri Baraka |
| Autore | Baraka Amiri <1934-2014.> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 780.89/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
African Americans - Music - History and criticism
Music - History and criticism African American musicians |
| Soggetto non controllato |
african american culture
african american history african american music alan shorter america popular song american classical music autobiography black aesthetic blues aesthetic bruce springsteen charlie parker duke ellington fred hopkins great american song book jazz criticism jazz music jazz john coltrane jon jang malachi thompson max roach miles davis music musical analysis musicians political commentary political history rhythm social change wynton marsalis |
| ISBN |
1-282-36086-8
9786612360862 0-520-94309-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Digging -- Frontmatter -- MUSIC OF THE AFRICAN DIASPORA -- Contents -- Introduction -- Part One: Essays -- 1. Griot/Djali: Poetry, Music, History, Message -- 2. Miles Later -- 3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture -- 4. Blues People: Looking Both Ways -- 5. Rhythm -- 6. The American Popular Song: "The Great American Song Book" -- 7. Blues Line -- 8. Cosby and the Music -- 9. Nina Returns -- 10. Jazz Criticism and Its Effect on the Music -- 11. Not "the Boss": Bruce Springsteen -- 12. Wynton Marsalis: Black Codes (from the Underground) -- 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture -- 14. Newark's' "Coast" and the Hidden Legacy of Urban Culture -- 15. Black Music as a Force for Social Change -- 16. What You Mean, Du Wop? -- 17. Classical American Music -- 18. Singers and the Music: A Theater Piece -- 19. Newark's Influence on American Music -- 20. Ritual and Performance -- 21. Bopera Theory -- 22. "Jazz and the White Critic": Thirty Years Later -- 23. Random Notes on the Last Decade -- Part Two: Great Musicians -- 24. Panthalassa: Miles Davis -- 25. When Miles Split! -- 26. David Murray, Ming's Samba -- 27. David Murray, Fo Deuk Revue -- 28. David Murray, Addenda to a Concert -- 29. On Reissuing Trane -- 30. John Coltrane: Why His Legacy Continues -- 31. Some Memories of Alan Shorter: Interview with Wayne Shorter -- 32. High Art: Art Tatum -- 33. Max Roach at the Iridium -- 34. Paris Max -- 35. The Great Max Roach -- 36. Billie Holiday -- 37. The High Priest of BeBop -- 38. Eric Dolphy: A Note -- 39. Jackie Mc -- 40. It Ain't about You -- 41. You Ever Hear Albert Ayler? -- 42. Albert's Will -- 43. Sassy Was Definitely Not the Avon Lady -- 44. Fred -- 45. Fred Hopkins's Memorial -- 46. Duke Ellington: The Music's "Great Spirit" -- 47. Duke Was a Very Great Pianist! -- 48. Blind Tom: The Continuity of Americana -- 49. Don Pullen Leaves Us -- 50. Black History Month Rediscovers "the Music" in New York City -- 51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard -- 52. Wonderful Stevie -- 53. Abbey Lincoln -- 54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman -- Part Three: Notes, Reviews, and Observations -- 55. Impulse Sampler, Act on Impulse -- 56. Ralph Peterson -- 57. Andrew Cyrille, Good to Go -- 58. Odean Pope Saxophone Choir, Epitome -- 59. Ravi Coltrane, Moving Pictures -- 60. Donal Fox and David Murray, Ugly Beauty -- 61. Tyrone Jefferson, Connections -- 62. James Moody -- 63. Barry Harris: In the Tradition -- 64. Pharoah Sanders, Shukuru -- 65. Don Pullen-George Adams Quartet, Breakthrough -- 66. Von and Chico Freeman, Freeman and Freeman -- 67. Alan Shorter, Orgasm -- 68. The Work Man: Reggie Workman -- 69. Roscoe Mitchell and the Note Factory -- 70. Jimmy Scott, But Beautiful -- 71. Malachi Thompson, Talking Horns -- 72. The Nexus Orchestra, Seize the Time -- 73. Three Fresh Ticklers -- 74. Rodney Kendrick, Last Chance for Common Sense -- 75. Jazz Times Review, Multiple Artists -- 76. More Young Bloods to the Rescue! -- 77. Vijay Iyer, Memorophilia -- 78. TriFactor, If You Believe -- 79. Live Lessons -- 80. New York Art Quintet -- 81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time -- 82. Jon Jang and David Murray, River of Life -- 83. Trio Three, Encounter -- 84. Jackie Mc-Coming and Going |
| Record Nr. | UNINA-9910813301003321 |
|
Baraka Amiri <1934-2014.>
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter
| What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter |
| Autore | Porter Eric (Eric C.) |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (442 p.) |
| Disciplina | 781.65/089/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Jazz - History and criticism
African American jazz musicians African Americans - Intellectual life - 20th century |
| Soggetto non controllato |
1920s
1930s african american musicians african american american music anthony braxton black artists black musicians class cultural studies duke ellington essay collection experimental jazz experimental music gender jazz music jazz musicians louis armstrong marion brown music analysis music genres music history music theory musical musicians social class social studies |
| ISBN |
1-282-75904-3
9786612759048 0-520-92840-7 1-59734-997-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon. |
| Record Nr. | UNINA-9910783293903321 |
|
Porter Eric (Eric C.)
|
||
| Berkeley, Calif., : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter
| What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter |
| Autore | Porter Eric (Eric C.) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (442 p.) |
| Disciplina | 781.65/089/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Jazz - History and criticism
African American jazz musicians African Americans - Intellectual life - 20th century |
| Soggetto non controllato |
1920s
1930s african american musicians african american american music anthony braxton black artists black musicians class cultural studies duke ellington essay collection experimental jazz experimental music gender jazz music jazz musicians louis armstrong marion brown music analysis music genres music history music theory musical musicians social class social studies |
| ISBN |
1-282-75904-3
9786612759048 0-520-92840-7 1-59734-997-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon. |
| Record Nr. | UNINA-9910816420703321 |
|
Porter Eric (Eric C.)
|
||
| Berkeley, Calif., : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||